Academy organizers and faculty members take up board memberships, review committees and juries in contexts such as the Media Architecture Biennale, Media Art Histories, and Human-Computer Interaction. They are involved with exhibition networks such as Connecting Cities (Global, China), and exhibition frameworks including the Streaming Museum, MUTEK_IMG (Montreal, Canada), Urbane Künste Ruhr, Microwave International Art Festival (Hong Kong), Screen City Biennial (Stavanger, Norway), SESI SP Urban Digital Gallery (Sao Paulo, Brazil).
Publications by primary faculty members include:
Ag, Tanya Toft (ed.), Digital Dynamics in Nordic Contemporary Art. Bristol: Intellect, 2019. Forthcoming.
Manach, Laëtitia and Susa Pop (eds.) Creativity in Urban Context: An Action Research Project by Future Divercities. Self-published, printed by Printera, Croatia, 2017.
Pop, Susa, Tanya Toft, Nerea Calvillo, Mark Wright (eds.). What Urban Media Art Can Do, What Why When Where & How. Stuttgart: Avedition, 2016.
Pop, Susa; Gernot Tscherteu, Ursula Stadler, and Miriam Struppek. (eds.) Urban Media Cultures. Stuttgard: avedition GmbH, 2012.
Toft, Tanya. Images of Urgency: A Curatorial Inquiry With Contemporary Urban Media Art. Ph.D. Dissertation. Copenhagen: Copenhagen University, 2017.
MORE TEXTS AND RESOURCES
Arns, Inke. “Interaction, Participation, Networking: Art and Telecommunication.” What Urban Media Art Can Do: Why When Where & How. Edited by Susa Pop, Tanya Toft, Nerea Calvillo, and Mark Wright. Stuttgart: av edition, 2016.
Benayoun, Maurice. ”Urban Media Art Paradox.” In What Urban Media Art Can Do: Why When Where & How. Edited by Susa Pop, Tanya Toft, Nerea Calvillo, and Mark Wright. Stuttgart: av edition, 2016.
Bishop, Claire. “Participation and Spectacle: Where Are We Now?” Published for Creative Time’s Living As Form (2011). Accessed March 3, 2016. www.dieklaumichshow.org/pdfs/Bishop.pdf
Broeckmann, Andreas, “Public Spheres and Network Interfaces.” In The Cybercities Reader. Edited by Stephen Graham, 378-384. New York: Routledge, 2004.
Broeckmann, Andreas, and Saavedra-Lara, Fabian. “The Transformation of Urban Space.” In Urban Media Cultures. Edited by Susa Pop, Gernot Tscherteu, Ursula Stadler, and Mirjam Struppek, 90-95. Stuttgart: avedition GmbH, 2012.
Bruno, Giuliana. “Surface Encounters.” e-flux journal 56th Venice Biennial (2015).
Brynskov, Martin; Dalsgaard, Peter; Ebsen, Tobias; Fritsch, Jonas; Halskov, Kim, and Nielsen, Rune. “Staging Urban Interactions with Media Façades.” Human-Computer Interaction (2009): 154-167.
Caspary, Uta. “Digital media as ornament in contemporary architecture facades: Its historical dimension.” In Urban Screens Reader. Edited by Scott McQuire, Meredith Martin and Sabine Niederer, 65-74. Amsterdam: Institute of Network Cultures, 2009.
Colangelo, Dave. “Curating Massive Media.” Journal of Curatorial Studies, Vol. 4, No. 2 (2015): 238-262.
Cook, Sarah; Graham, Beryl; Gfader, Verina, and Lapp, Axel. A Brief History of Curating Media Art: Conversations With Curators. Berlin: The Green Box, 2011.
Cook, Sarah; Graham, Beryl; “Toward a Theory of the Practice of Curating New Media Art.” Beyond the Box: Diverging Curatorial Practices. Edited by Melanie Townsend, 169-82. Banff: Banff Centre Press, 2003.
Cubitt, Sean. “Current Screens.” In Imagery in the 21st Century. Edited by Oliver Grau and Thomas Veigl, 21-36. Cambridge: MIT Press, 2011.
Deutsche, Rosalind. Evictions: Art and Spatial Politics. Cambridge: MIT Press, 1996.
Eckardt, Frank, Media and Urban Space: Understanding, Investigating and Approaching Mediacity. Berlin: Frank & Timme, 2008.
Grau, Oliver. Media Art Histories. Cambridge: MIT Press, 2010.
Haeusler, M. Hank. Media Facades – History, Technology, Content. Stuttgart: av edition, 2009.
Haeusler, M. Hank; Tomitsch, Martin, and Tscherteu, Gernot. New Media Facades: A Global Survey. Stuttgard: avedition, 2013.
Jones, Caroline A. Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge: MIT Press, 2006.
Kwastek, Katja. Aesthetics of Interaction in Digital Art. Cambridge: MIT Press, 2013.
Lovejoy, Margot. Digital Currents: Art in the Electronic Age. London: Routledge, 2004.
Manovich, Lev. “The Poetics of Urban Media Surfaces.” Urban Screens: Discovering the potential of outdoor screens for urban society. First Monday 4 (2006). Accessed August 5, 2015. 333.firstmonday.org/article/view/1545/1460
Marchese, Francis T. Media Art and the Urban Environment: Engendering Public Engagement with Urban Ecology (Future City). Vienna and New York: Springer, 2015.
McQuire, Scott; Martin, Meredith, and Sabine Niederer. The Urban Screens Reader. Amsterdam: Institute of Network Cultures, 2010. Accessed June 22, 2015. www.networkcultures.org/_uploads/US_layout_01022010.pdf
Paul, Christiane. Digital Art. London and New York: Thames and Hudson, 2003.
Paul, Christiane. New Media Art in the White Cube and Beyond: Curatorial Models for Digital Art. Berkeley: University of California Press, 2008.
Rieser, Martin. The Mobile Audience: Media Art and Mobile Technologies (Architecture Technology Culture). Amsterdam: Rodopi, 2011.
Schreuder, Catrien. Pixels and Places: Video Art in Public Space. Rotterdam: NAI Publishers, 2010.
Shanken, Edward A. Art and Electronic Media. London: Phaidon, 2014.
Wands, Bruce. Art of the Digital Age. London and New York: Thames and Hudson, 2007.
Youngblood, Neil. Expanded Cinema. New York: E. P. Dutton & Co., Inc., 1970.